Independently developed technology preserving original Skin Textures when retouching.
Nowadays, 4K images can be easily shot on iPhones and single lens reflex cameras.
Skinworks preserves the original quality of skin texture even in a 4K or 8K quality video when retouching the skin.
*4K or 8K may not be supported depending on the system configuration of your machine. Please confirm through the trial version.
"Concealer" to remove acne and moles.
"Foundation" to smoothen the skin.
Skinworks currently offers two types of plug-ins; the "Concealer" and the "Foundation."
Remove acne and moles with the "Concealer," and the eliminate skin spots and unevenness of colour with the "Foundation" to portray smoother skin.
The contours of the subject's eyes, nose, and mouth are preserved through Skinworks' proprietary edge detection function.
Simple and Easy Controls
Skinworks emphasizes its simple and easy controls to be able to retouch with ease.
A simple 2 to 3 steps is enough to retouch the skin. Just adjust the parameters and producing masks for the parts you would like to apply the effects, done.
For more information, please watch our Tutorial Video.
From Tokyo. Graduated from Tokai University Faculty of Engineering in 2003.
After accumulating his career as a Flame artist at Digital Egg, he joined Lola Visual Effects in Los Angeles in 2009. Since then has worked on projects like; "Captain America / The First Avenger", "Life of Pie", Hugo", "Social Network", "Cloud Atlas", "The Walker", and many more. After returning to Japan in 2013, became a freelancer after working at foton inc. and has participated in NHK 's production of "Life`s Great Leap Forward" and "Protector of the Spirit". Later returning to the United States in April 2016, Kazuyoshi has returned to Lola Visual Effects where he has recently participated in works such as "It", "Avengers: Endgame", "Captain Marvel", "The Greatest Showman", "The Post", "Bright", "Guardians of the Galaxy: VOL II" and many more. In 2019, he has founded digitalbigmo inc. in Japan.